120 Kentmere 100
Product information
120 Kentmere 100| Manufacturer | KENTMERE |
| Film | KENTMERE 100 |
| ISO | 100 |
| Format | 120 |
Kentmere 100 120: The Affordable Medium Format for Everyone
Venturing into medium format can seem expensive, but the Kentmere 100 120 film roll arrives to democratize black and white. Manufactured by Harman Technology (the same creators of Ilford), this low-sensitivity emulsion offers an unbeatable value for money. If you're looking to learn to shoot in 6×6 or 6×7 without fear of making mistakes and prefer a predictable, fine-grain film, you've found the perfect option.
What makes the Kentmere 100 120 special?
The greatest appeal of Kentmere 100 in 120 format is its reliability. It doesn't aim to be a complex auteur film or a clinical tabular emulsion, but rather an everyday workhorse. It offers excellent exposure latitude, forgiving small light meter errors. Its contrast is medium, which makes home scanning and subsequent editing easier, guaranteeing good results both in natural-light portraits and sunny landscapes.
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The affordable classic also in 35mm.
If you love the look and contrast of this emulsion, take it with you every day. Get this same unbeatable film roll in standard 35mm format to feed your SLR camera without breaking the bank.
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Technical Specifications of the Kentmere 100 120
Knowing your tool is the first step to mastering it. Here is the technical X-ray of this affordable yet powerful film.
| Feature | Technical Detail |
|---|---|
| Format | 120 (Medium Format) |
| Nominal Sensitivity | ISO 100 / 21° |
| Emulsion Type | Panchromatic Black and White |
| Grain Structure | Traditional (Fine) |
Technical Variables of the Film
- Contrast and Tonal Range: Medium and balanced contrast. The grays are very noble, avoiding blown skies and muddy shadows if exposed correctly.
- Spectral Sensitivity: Panchromatic. It records light naturally, responding very well to yellow or orange filters to separate clouds in landscapes.
- Grain Structure: Fine traditional grain. Thanks to the enormous size of the 120 negative, the grain is practically imperceptible, offering very clean images.
- Acutance: Medium. Its edges are not as sharp as in a Delta film, which gives it a more organic and classic look.
- Resolution (Resolving Power): Good. Perfect for high-quality scans and considerable enlargements.
- Push/Pull Flexibility: Acceptable. You can push to ISO 200 with decent results, but its sweet spot is at its nominal ISO.
- Base Support and Antihalation Layer: Quality acetate base (Harman heritage), which guarantees flat drying and no planarity issues.
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Why buy Kentmere 100 120 at Camera Market?
At Camera Market we don't just dispatch orders; we are a lab with more than ten years of experience. We know how Kentmere 100 behaves because we process it weekly. We offer this product with real stock and fast 24/48-hour shipping with tracking. In addition, you have our technical support to answer questions about development or light metering, providing the peace of mind of dealing with real professionals on the other side of the counter.
Advantages and Disadvantages of the Kentmere 100 120
| Advantages (Pros) | Disadvantages (Cons) |
|---|---|
| Unbeatable price for medium format. | Requires good light (ISO 100) or use of a tripod. |
| High-quality manufacturing by Harman (Ilford). | Somewhat flat contrast if underexposed. |
| Very fine grain and very flat drying. | Marked reciprocity failure in long exposures. |
Comparison: Kentmere 100 120 versus the competition
| Film (120 Format) | Grain | Contrast | Price/Use |
|---|---|---|---|
| Kentmere 100 | Traditional Fine | Medium | Budget / Students |
| Ilford FP4 Plus | Traditional Fine | Medium (Better Range) | Medium / Professionals |
| Fomapan 100 | Marked Classic | High (Vintage) | Budget / Experimental |
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The pros' choices Top sellers in 120.
Discover what other photographers are buying. Visit the best-selling 120 film rolls section and pair your Kentmere with classics like Ilford HP5 or Kodak Tri-X.
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Development Times for Kentmere 100 120 (at 20°C)
Being manufactured by Harman, it responds wonderfully to Ilford chemicals. Here is our verified time table so you don't go wrong at home.
| Developer | Dilution | Exposed ISO | Time (min) |
|---|---|---|---|
| Ilford ID-11 / D-76 | Stock | 100 | 8:00 |
| Ilford ID-11 / D-76 | 1+1 | 100 | 12:00 |
| Rodinal (Adonal) | 1+50 | 100 | 15:00 |
| Kodak HC-110 | Dilution B | 100 | 6:00 |
Camera Market Pro Tip: Squeezing Sharpness Out of Kentmere
Kentmere 100 has a reputation for being a bit "soft" if you compare it with an FP4. Many beginners develop it with ID-11 Stock (pure) and notice that it lacks a bit of visual "bite".
The correct technique: If you are going to develop at home, we recommend using ID-11 or D-76 at 1+1 dilution. By diluting the developer, the process is slower, which allows for better tonal separation and significantly increases acutance (edge sharpness). Another excellent option is Rodinal at 1+50. Since the ISO is low and the negative is huge (120), grain will not be a problem, but sharpness will be outstanding for landscapes and architecture.
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Physical Behavior and Scanability
This is an aspect where Kentmere shines thanks to its manufacturer, saving headaches for those who develop at home.
Planarity (Film Curl)
Unlike other budget brands that use rebellious polyester, Kentmere 100 120 uses an acetate base similar to Ilford's premium line. It dries perfectly flat. You won't have to deal with curved, tile-shaped negatives, which immensely facilitates placing the strip in the negative holder of your Epson or DSLR scanner, guaranteeing precise focus in the corners.
Inversion profiles (Scanning)
When inverting the negative with Negative Lab Pro, you will notice that it is very neutral. Due to its soft contrast, we suggest using the base "Frontier" or "Linear" profiles and adjusting the contrast manually to add the necessary "punch" to the blacks without blowing out the midtones.
At the Limit: Extreme Exposure and the Zone System
Discover how this cheap film behaves when conditions are not ideal.
Reciprocity Failure
This is the great weakness of budget emulsions. For long exposure photography (night scenes, waterfalls), Kentmere requires a lot of compensation. From 1 second onward, you must start adding extra time. If your light meter reads 10 seconds, you probably need to expose for almost 30 actual seconds.
Extreme Push and Pull Processing
Can it be pushed? Yes, one stop to ISO 200 without problems. Taking it to ISO 400 greatly increases contrast and abruptly loses detail in the shadows. Our advice is to use it between ISO 50 (Pull) and 100 for creamy portraits.
Dynamic Range Map
It is a film that prefers overexposure. It retains detail better in the sky (highlights) than in deep shadows. If you are unsure when metering, always give it a little more light to avoid empty blacks.
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Expert Technical Management Medium Format Lab.
We tame its harsh contrast for you. Send us your exposed 120 film roll so we can apply a handcrafted compensating development and a TIFF scan that will unlock all its vintage magic.
Request Professional 120 Development
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The backing paper and moisture
A recurring problem in medium format is the "offset" of the backing paper numbers onto the negative, especially in summer or in humid environments.
The lab's recommendation: Although Harman's packaging is first-rate, no film is immune. If you shoot Kentmere 100 120 on a hot day or at the beach, do not leave the exposed roll in your backpack for long. Store it in a cool place and develop it as soon as possible. Moisture can cause the paper's ink to react with the emulsion. Prompt development is the best prevention for keeping your skies free of circular stains.
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Frequently Asked Questions about Kentmere 100 120 (FAQ)
Is it the same film as Ilford FP4 Plus?
Not exactly. Although both are manufactured at the Harman plant in England, Kentmere 100 uses a formula with a lower silver content. FP4 Plus offers superior dynamic range and somewhat finer grain, while Kentmere is the "battle" option with excellent value for money.
Is it suitable for toy cameras like the Holga or Diana?
Yes, but with conditions. Being an ISO 100 (slow film), it requires bright sunny days. Since these cameras usually have fixed apertures (f/8 or f/11) and fast shutter speeds, if the day is cloudy your photos could come out underexposed. For gray days with these cameras, it's better to choose Kentmere 400.
Can it be used with artificial light or studio flashes?
Perfectly. Due to its fine grain and balanced contrast, Kentmere 100 works wonderfully with controlled lighting. It allows you to work with wider apertures to achieve beautiful blur in medium format portraits without grain being the protagonist.
Does this film roll have a DX code system?
No. It is important to remember that the 120 format (medium format) does not use the 35mm DX electrical contact system. You will need to set the ISO 100 sensitivity manually on your camera's dial or on your external light meter before you start shooting.
What budget developer is recommended for this film?
If you are going to develop at home, Rodinal (Adonal) or Kodak HC-110 are unbeatable options. They are very cheap because they are used at high dilutions, last for years without expiring, and offer fantastic acutance (edge sharpness) with Kentmere 100.
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Feed the push Microphen and DD-X developers.
Don't ruin your night session. Get the Ilford specific liquid developers designed to safely push this film to ISO 3200 and 6400.
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Shoot large format without budget limits
Do you want to make the leap to large format cameras without emptying your wallet? Kentmere 100 120 is the perfect entry ticket. This film offers you English manufacturing quality at a cost that lets you experiment, fail and learn without regrets. Get imperceptible grain and flatness that your scanner will love. At Camera Market we guarantee fresh stock and fast handling of your order. Add your Kentmere 100 film rolls to the cart today and receive them in 24/48 hours with the confidence of buying from your specialized lab.
120 Kentmere 100 is in <strong>perfect working condition</strong>. Each unit has been rigorously inspected by our specialized technical team, guaranteeing optimal performance.
The specific cosmetic condition (possible signs of use, superficial scratches, etc.) is detailed in the actual photos of the product and in the full description.
The purchase includes the 120 Kentmere 100 and a <strong>warranty</strong> against manufacturing defects. As this is a second-hand product, accessories (caps, lens hood, case…) <strong>vary by unit</strong>.
Want to know exactly what this specific unit includes before buying? <strong>Message us via the website chat</strong> and we'll confirm right away.
All our products include a <strong>warranty</strong> covering any manufacturing defect or technical failure.
<strong>You can extend the warranty of your item:</strong>
- <strong>12 months</strong> of full coverage for only <strong>{price_12}</strong> (one-time payment)
- <strong>24 months</strong> of maximum peace of mind for <strong>{price_24}</strong> (one-time payment) — <em>recommended</em>
We also offer <strong>14-day no-questions-asked returns</strong>. If you're not completely satisfied, you can return it for a full refund.
At Camera Market, most of our items are imported from Europe, so orders can take up to <strong>14 calendar days</strong> to arrive at your address.
However, we offer expedited delivery of <strong>4 to 5 business days</strong> for selected products with immediate availability. All shipments include a <strong>tracking number</strong> so you can track your order in real time.
Comprar the 120 Kentmere 100 reacondicionado y certificado en Camera Market te ofrece <strong>múltiples ventajas</strong>:
- <strong>Significant savings:</strong> Prices up to 40-60% lower than new, without compromising quality or performance
- <strong>Guaranteed quality:</strong> Each product is inspected, tested and verified by specialized technicians
- <strong>Warranty included:</strong> standard coverage, extendable with the optional extension
- <strong>Sustainable purchase:</strong> You contribute to the circular economy and reduce the environmental impact of electronics
- <strong>Accessible professional equipment:</strong> Get high-end models at more competitive prices
Our refurbished photography equipment maintains the same optical and technical performance as new. Depreciation does not affect image quality or performance, only the price.
