1Hundred Color 100 35mm

1 Hundred Color 100 35mm: Summer Light in Indie Format

Supporting the creation of new emulsions is vital for the analog future. The film roll 1 Hundred Color 100 35mm bursts onto the independent market offering a fresh and luminous proposition. This low-sensitivity film is your perfect ally for days of relentless sun. It delivers soft colors and a clean texture, becoming an excellent option for those looking to escape traditional brands without sacrificing quality.

What makes the 1 Hundred Color 100 film roll special?

Its charm lies in its balance. Being an ISO 100 emulsion, it allows you to shoot with wide apertures in broad daylight, achieving soft blur (bokeh) that fast films do not allow. Its chemical formulation, although independent, is processed under the universal C-41 standard, which eliminates any headache at the lab. It offers a chromatic palette of pastel tones that immediately evokes memories of vacations and beach afternoons.

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Absolute saturation Kodak Ektar 100.

If the soft and "indie" pastel tones of this film seem boring to you and you are looking for aggressive color explosions for your summer landscapes, invest in maximum quality. Acquire the mythical Kodak Ektar 100 in 35mm, the professional C-41 film with the highest saturation and lowest grain in the entire world.

Buy Kodak Ektar 100

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Technical Specifications and Basic Comparison

Knowing your material is the first step to nailing the exposure. We break down the technical x-ray of this interesting alternative film.

• Format: 35mm (36 exposures).
• Nominal sensitivity: ISO 100 / 21° (Daylight – 5500K).
• Emulsion type: Independent Color Negative.
• Base support: Conventional acetate.
• Development: C-41 process (Standard color chemistry).

Technical Variables of Analog Film

• Color Saturation: Contained. It does not seek stridency. Its colors are calm and pastel, which makes it very elegant for street photography on sunny days.
• Contrast: Medium. It offers smooth transitions between lights and shadows, preventing the image from looking harsh or excessively graphic.
• Exposure Latitude (Dynamic Range): Strict. Like most independent films, it does not easily forgive severe errors. Especially vulnerable to underexposure.
• Skin Tone Reproduction: Pleasant under sunlight. Skins tend to show neutral nuances, without the strong yellowish shifts of other consumer films.
• Grain Structure and Size: Clean. Thanks to its low sensitivity (ISO 100), the grain is subtle, allowing very neat and aesthetic digitizations.
• Color Cast: Slightly cool or magenta tendency in the shadows if the light is not abundant, providing a very characteristic "indie look".
• Sharpness and Resolving Power: Optimal. Ideal for scanning at medium/high resolution and enjoying defined details in landscapes and static portraits.

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Why buy your 1 Hundred Color 100 at Camera Market?

We actively encourage new proposals in the analog market. We are a real, active professional lab with years of experience processing alternative brands. We know that independent ISO 100 is sensitive to degradation. We jealously guard our stock in refrigerators so that it reaches your hands in perfect condition. We dispatch your orders quickly within 24/48 hours. If you have questions about how to expose this film roll in your old rangefinder, our technical team will advise you by phone with total dedication.

Advantages and Disadvantages of the 1 Hundred Color 100 35mm

Comparison Table: 1 Hundred 100 vs. similar film rolls

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Explore the alternative world Indie 35mm best sellers.

Find out what other experimental emulsions urban creators are loading today. Explore our huge section of 35mm color film to compare the softness of the 1 Hundred with the rough street aesthetic of the MOT Lisboa 500D.

Offer + This product has multiple variants. The options may be chosen on the product page Quick View

Kodak Gold 200 35mm

Kodak Color Plus 200 35mm

Kodak Portra 400 35mm

Kodak UltraMax 400 35mm

Fuji 200 35mm

Kodak Vision3 250D 35mm

Kodak Vision3 500T 35mm

Kodak Ektar 100 35mm

Kodak Pro Image 100 35mm

Kodak Portra 160 35mm

Kodak Portra 800 35mm

Lab Service Calculator

1Hundred Color 100 35mm

Harman Phoenix 200 35mm Exp: 07/25

Agfa Color 400 35mm

Ilford Ilfocolor 400 Vintage 35mm

Development Times for 1 Hundred Color (C-41 Process)

This independent emulsion performs perfectly in standard labs. These are the fixed, unchangeable times for C-41 chemistry at 38°C.

Camera Market Pro Tip: The dense shadow trap

The usual complaint of those trying independent brands for the first time is seeing their photos of alleys or arcades full of ugly, muddy noise, despite having shot in broad daylight.

The challenge of independent latitude: The 1 Hundred Color performs beautifully under direct sun, but its film doesn't have the chemical "elasticity" of a Kodak Portra. If your camera meters the light prioritizing a very bright sky, the street shadow will be severely underexposed and will be ruined immediately. The lifesaving technique: When you shoot this ISO 100 in high-contrast scenes (strong light and shadow), always meter the light pointing toward the shadows of the scene. It is preferable for the sky to be slightly overexposed than for the main image to sink into digital mud.

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Physical Behavior and Scanability

We explain how to deal with this indie base when digitizing your negatives at home.

Planarity (Film Curling)

Like many respooled or alternative films, its base can be somewhat rebellious. After drying hanging, it usually presents transverse curl (potato-chip effect). Never try to scan it like that. You must cut the strips into groups of 6 frames and flatten them under the weight of some encyclopedic books for at least 24 hours to guarantee sharp focus on your Epson scanner.

Inversion Profiles (Scanning)

Its orange mask requires finesse. In Negative Lab Pro, avoid hyper-saturated profiles. Use the "Linear" or "Basic" modes. The pastel colors of this film can break digitally if you overuse the saturation sliders in Lightroom. Embrace its original desaturated aesthetic.

At the Limit: Extreme Exposure and the Zone System

Know the strict red lines of this film roll so you don't ruin your memories.

The Reciprocity Failure

It experiences drastic light fatigue. Being ISO 100, you'll reach slow exposures immediately. If you photograph architecture at sunset, from 1 second of exposure onward you must apply long compensations. The colors will shift toward magenta unpredictably.

Extreme Pushing (Push) and Pulling (Pull)

Do not push under any circumstances. Pushing this film to ISO 400 will destroy the negative, filling it with monstrous grain and unmanageable contrast. If you want to experiment, apply a slight optical Pull: shoot the camera at ISO 80 or 50 to flood the negative with light and further soften its pastel tones.

Dynamic Range Map

Its protective shield is in the highlights. It tolerates overexposure reasonably well, protecting textures in bright areas. By contrast, underexposure is lethal. Shadows without photons block up almost immediately. Always meter by exposing in favor of the dark areas.

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Expert human scanning C-41 Color Lab.

Don't let cold supermarket automatic scanners ruin the low saturation of this delicate film. Send us your invaluable exposed indie roll for immaculate C-41 processing and manual scanning that will jealously extract its true pastel tones.

Request Professional Color Development

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Camera Market Pro Tip: Watch Out for Point & Shoots

Many urban photographers load this 1 Hundred 100 roll into their plastic compact cameras ("Point & Shoot") for an afternoon stroll, and discover in dismay that half the photos came out blurry and black.

The law of closed optics: Simple automatic compact cameras have very dark lenses (usually f/8). An ISO 100 needs crushing sun to work in that camera without requiring slow shutter speeds. The mandatory rule: If you use this film in a compact, limit yourself to photographing during the day under bright sun. If you enter the shadow of a street or the sun starts to drop, the camera will lower the speed and your photo will come out shaky (blurry). If you want versatility in your compact, use ISO 400; reserve this ISO 100 for splendid days or SLR cameras with fast lenses (f/1.8).

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Frequently Asked Questions about 1 Hundred Color 100 (FAQ)

What is the 1 Hundred Film brand?

It is an interesting independent initiative within the revival of analog photography. It bottles color film with very peculiar characteristics to offer "indie" aesthetic alternatives to photographers tired of the hyper-polished look of the big traditional commercial brands.

Can I develop this film roll at any lab or pharmacy?

Yes, without any problem. Even though the brand is alternative, the chemistry of the 1 Hundred Color is completely standard. It uses the universal C-41 color process, which guarantees that any minilab or specialized shop on the planet can develop it in an hour.

Does it have a printed DX code for automatic cameras?

Film rolls from independent brands frequently lack the DX barcode on their canister. If your camera is «Point & Shoot» and reads nothing, it will assume by default that it is ISO 100. Coincidentally, since this film is ISO 100, the exposure will be correct. If you use it in cameras with manually selectable ISO, even better.

How much does it cost to develop this alternative film roll at Camera Market?

We always apply our cheapest base rate for automated C-41 processing in 35mm. We do not add hidden surcharges for developing strange brands. We process with immaculate chemistry under thermal control. Remember to check the website to add our expert TIFF scanning.

Will anything happen if I pass it through airport scanners?

Although a slow ISO 100 used to withstand the old X-ray arches, the situation has changed. The modern cylindrical CT (Computed Tomography) scanners at today's airports will fog your film roll completely in seconds. Always ask for a manual inspection (Hand Check) of your film.

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Create the indie color at home C-41 Chemical Kits.

Developing alternative color films allows you to drastically lower costs. Use our infallible C-41 Color Development Kits from KODAK or JOBO to process your sunny trips comfortably in the dark washbasin of your home.

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Ars Imago C-41 Kit

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Rollei C-41 Kit

Kodak C41 Processing Kit

Fuji C41 Processing Kit

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Bathe your summer days in genuine indie color

The 1 Hundred Color 100 35mm is the creative lifeline for photographers looking to escape commercial monotony. Its desaturated pastel aesthetic, its low ISO ideal for large blur effects, and its clean texture make it the indispensable ammunition for walks under the bright sun, urban artistic photography, and personal projects with soul. Don't let the fear of trying new brands limit your visual palette. Add a couple of these surprising film rolls to your cart right now and benefit from our insured and urgent 24/48-hour shipping. Remember that our lab masters will process your film in immaculate C-41 chemistry, scanning with care to respect the delicate "soft" atmosphere that characterizes this independent brand.

See more 35mm Color Film Rolls

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