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MOT Amalia 100 35mm

$17.00
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Product information

MOT Amalia 100 35mm
Manufacturer Mot
Film Amalia 100d
Type Black and White
ISO 100
Format 35 mm

MOT Amalia 100 35mm: The elegance of artisanal black and white

The MOT Amalia 100 35mm film roll is not just another film; it is a statement of intent for the photographer seeking a timeless aesthetic. With 36 exposures of pure panchromatic emulsion, this film stands out for its sharpness and balanced contrast. If you are looking to capture reality with an organic, professional texture, the Amalia 100 is your best ally.

What makes the MOT Amalia 100 film roll special?

What defines the MOT Amalia 100 is its origin and its technical behavior. It is an ISO 100 film that inherits the technology of cinematic emulsions, perfectly adapted to the 35mm format. It offers fine grain and superb acutance, ideal for portraits where every detail counts or landscapes where tonal depth marks the difference between an ordinary photo and a work of art.

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Box and canister of the Cinemot Amália 100 D film roll #image_790753030 { width: 100%; }

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Protect your negatives
with quality archival sleeves.

Once your MOT Amalia 100 has been developed, make sure to store it in acid-free parchment paper or acetate archival sheets. Avoid dust and scratches so that your photos last a lifetime.

Buy Ilford Delta 100 in 120

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Technical Specifications and Comparison Table

To master the MOT Amalia 100, it is essential to know its technical inner workings. Here are the key data for your next session:

Feature MOT Amalia 100 (35mm)
Sensitivity ISO 100 / 21° DIN
Grain Type Fine and structured
Exposure Latitude Medium – High
Base Transparent triacetate
Number of photos 36 exposures

Technical Variables of the Film

  • Contrast and Tonal Range: It presents a medium-high contrast that respects the shadows without muddying them. Its grayscale is extensive, which allows for very flexible post-editing.
  • Spectral Sensitivity: It is a panchromatic film. It naturally records all the colors of the visible spectrum, translating them into balanced grays.
  • Grain Structure: Thanks to its low sensitivity, the grain is barely perceptible, which makes it perfect for large-format enlargements.
  • Acutance: Very high. The edges between areas of different light are sharp, providing a sense of "critical focus" highly appreciated in architecture photography.
  • Resolution: High capacity to record tiny details, surpassing many commercial films in its same category.
  • Flexibility (Push/Pull): Although its sweet spot is ISO 100, it tolerates pushing to ISO 200 (Push +1) gaining contrast, or underdeveloping to ISO 50 to soften the highlights.
  • Base support: Its triacetate base facilitates handling in the lab and guarantees excellent dimensional stability.

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Original box of the Cinemot Amália 100 D film #image_524692877 { width: 100%; }

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Why choose MOT Amalia 100 at Camera Market?

At Camera Market we don't just sell boxes; we are photographers who have shot thousands of meters of film. The MOT Amalia 100 is one of our personal recommendations for those looking to step outside the conventional brands without sacrificing quality. By buying from us, you ensure fresh stock, stored under optimal temperature conditions and the backing of a technical team that knows this film roll inside and out.

Pros and Cons: The reality of the MOT Amalia 100

Advantages (Pros) Disadvantages (Cons)
Extreme sharpness and almost invisible grain. ISO 100 requires a tripod or plenty of light.
Excellent value for money. Less well-known than brands like Kodak or Ilford.
Very clear base that makes scanning easier. Not recommended for fast-action photography.

MOT Amalia 100 versus its rivals

Model Aesthetics Strong Point
MOT Amalia 100 Cinematic / Clean Acutance and price
Ilford FP4 Plus Classic / Robust Exposure latitude
Kodak T-Max 100 Modern / Perfectionist Tabular grain (T-Grain)

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Development Times for MOT Amalia 100 (at 20°C)

To get the best results with your MOT Amalia film roll, the chemical process must be precise. Here is our recommended table for the most common developers:

Developer Dilution Time (min)
Kodak D-76 Stock 7:00
Ilford ID-11 1+1 9:30
Rodinal (R09) 1+25 6:00
Rodinal (R09) 1+50 12:00

Camera Market Pro Tip: The secret of transparency

The MOT Amalia 100 film has an exceptionally clear triacetate base. This is a huge advantage for scanning, but it also makes it somewhat sensitive to light if the canister is not perfectly sealed. A common mistake is loading the film roll under direct sunlight. If even a tiny bit of light enters through the mouth of the canister, because the base is so transparent, the fogging can "travel" through the first frames more easily than with other brands.

The correct technique: Always load your camera in the shade or use your own body to block direct light. When developing, make sure to do a generous final wash to remove any trace of the antihalation layer, which on this film comes off leaving a crystal-clear negative that is perfect for digitizing.

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Box and canister of the Cinemot Amália 100 D film roll #image_210921130 { width: 100%; }

Physical Behavior and Scanability

Planarity (Film Curl)

One of the greatest joys of developing MOT Amalia 100 at home is its planarity. Unlike other polyester films that curl like a scroll, the Amalia stays flat after drying. This makes it much easier to insert into scanner guides (Epson, Plustek or digital cameras), avoiding annoying Newton rings and guaranteeing sharpness across the entire surface of the negative.

Inversion profiles (Scanning)

When digitizing with Negative Lab Pro, this film roll behaves very linearly. We recommend using the "Lab Standard" setting with a "Cinematic" tone. Since its base does not have the orange mask of color films and is very clean in B/W, you won't need aggressive exposure corrections in the software. The white is pure and the black has body.

At the Limit: Extreme Exposure

Reciprocity Failure

If you are going to do night photography or long exposure with the MOT Amalia 100, keep reciprocity failure in mind. For exposures of 10 seconds according to the light meter, you should actually expose for about 25 seconds. It is a film that appreciates light; when in doubt, it is always better to overexpose by half a stop than to underexpose.

Dynamic Range Map

  • Highlights: Retains detail amazingly. Skies do not "burn out" easily, allowing you to recover cloud textures even on sunny days.
  • Shadows: Being an ISO 100, if there is no light, there is no image. It is vital to expose for the shadows if you want detail in the dark areas, since fine grain does not forgive severe underexposure.

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Feed the push Microphen and DD-X Developers.

Don't ruin your night session. Get the Ilford-specific liquid developers designed to safely push this film to ISO 3200 and 6400.

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Taming contrast in portraits

We know that MOT Amalia 100 can be somewhat "nervous" with contrast if developed with very energetic chemicals. If your intention is to shoot studio or social portraits where skin is the protagonist, we suggest a winning combination based on our lab experience. Use Ilford Perceptol or Atomal 49 developer. These fine-grain developers compensate for the film's natural acutance, delivering gray transitions on faces that look like silk. Amalia 100 is a film with "claws," and knowing when to soften it is what separates an amateur from an expert in analog photography. Treat it with care and it will give you back images with an almost three-dimensional depth.

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Original box of Cinemot Amália 100 D film #image_670583176 { width: 100%; }

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Frequently Asked Questions about MOT Amalia 100 (FAQ)

Is MOT Amalia 100 suitable for beginners?

Yes, it is a very forgiving and rewarding film. Its ISO 100 sensitivity is ideal for learning to meter light outdoors, and its excellent physical stability helps the film dry flat, making your first home development and scanning much easier.

What is the difference between the 35mm and 120 versions?

The emulsion is identical in both formats. The main difference lies in the negative size: in 120 format you will get superior sharpness with an almost total absence of grain, while in 35mm a very aesthetic and classic fine grain is visible.

Can I develop this film roll at a commercial lab?

Of course. As it is a standard black-and-white film, any lab that processes this type of material (whether manually or by machine) can develop MOT Amalia 100 without any technical complication.

How should I store my MOT Amalia film rolls?

Like any photosensitive material, we recommend storing them in a cool, dry place away from sunlight. If you do not plan to shoot them in the coming months, the refrigerator is the best place to keep their chemical properties intact.

Why is the price lower than that of other well-known brands?

MOT focuses on optimizing costs in marketing and complex packaging to concentrate exclusively on emulsion quality. It is a smart and professional option for photographers who shoot a high volume of film without sacrificing results.

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Feed the push processing Microphen and DD-X developers.

Don't ruin your night session. Get the Ilford-specific liquid developers designed to safely push this film to ISO 3200 and 6400.

Ilford PQ Universal paper developer 1-liter bottle + This product has multiple variants. The options may be chosen on the product page

Ilford PQ Universal Developer

Price range: from 18,15 € to 28,22 € Bottle of Adox Rodinal developer for black and white film 500ml +

Adox Rodinal Developer

13,96 € Bottle of Ilford Ilfotec DD-X liquid developer for black and white film 1 liter +

Ilford Ilfotec DD-X Developer

51,21 € Sachet of Adox Atomal 49 powder developer for black and white film 1 liter + This product has multiple variants. The options may be chosen on the product page

Adox Atomal 49 Developer

Price range: from 10,00 € to 16,68 € Box of Fomadon Excel fine grain powder developer 1 liter +

Foma Fomadon Excel Developer

8.59 € Box of Foma Retro Special developer for black and white negative film 1 liter +

Foma RETRO Special Developer

8.02 € Cardboard box of the reversal processing kit for Fomapan R film +

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65.72 € Sachet of Ilford Microphen powder photographic developer for 1 liter +

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14.20 € Sachet of Adox D-76 classic powder developer for black and white 1 liter + This product has multiple variants. The options may be chosen on the product page

Adox D76 Developer

Price range: from 7.58 € to 14.23 € Box of Fomadon P powder developer for black and white film 1 liter +

Fomadon P Developer

7.32 € Sachets of Kodak Professional XTOL powder developer for 5 liters +

Kodak XTOL Developer

19.86 € Sachet of Ilford ID-11 powder developer for black and white film 5 liters +

Ilford Microphen Developer

16.00 € Bottle of Fotoimpex 110-Professional developer for analog film +

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27.12 € Sachet of Kodak Professional D-76 powder developer for 1 liter + This product has multiple variants. The options may be chosen on the product page

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Price range: from 9.95 € to 15.83 € 100g bottle of Silver Nitrate for analog photographic chemistry +

Collodion Silver Nitrate 100gr

199.35 € Sachet of Adox XT-3 powder developer for black and white film 1 liter + This product has multiple variants. The options may be chosen on the product page

Adox XT-3 Developer

Price range: from 7.58 € to 18.42 €

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Get your MOT Amalia 100 today

Don't miss the chance to experiment with one of the most interesting films on the current scene. The MOT Amalia 100 in 35mm offers you that professional, sharp look with a cinematic soul that your projects need. At Camera Market we guarantee you the best price, super-fast shipping and the security of buying from a shop that loves analog photography as much as you do. Add the Amalia 100 to your cart now and start creating memories with an unmatched texture. Any questions? Our technical chat is open for you. Shoot, develop and enjoy!

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Frequently asked questions

MOT Amalia 100 35mm is in <strong>perfect working condition</strong>. Each unit has been rigorously inspected by our specialized technical team, guaranteeing optimal performance.

The specific cosmetic condition (possible signs of use, superficial scratches, etc.) is detailed in the actual photos of the product and in the full description.

The purchase includes the MOT Amalia 100 35mm and a <strong>warranty</strong> against manufacturing defects. As this is a second-hand product, accessories (caps, lens hood, case…) <strong>vary by unit</strong>.

Want to know exactly what this specific unit includes before buying? <strong>Message us via the website chat</strong> and we'll confirm right away.

All our products include a <strong>warranty</strong> covering any manufacturing defect or technical failure.

<strong>You can extend the warranty of your item:</strong>

  • <strong>12 months</strong> of full coverage for only <strong>{price_12}</strong> (one-time payment)
  • <strong>24 months</strong> of maximum peace of mind for <strong>{price_24}</strong> (one-time payment) — <em>recommended</em>

We also offer <strong>14-day no-questions-asked returns</strong>. If you're not completely satisfied, you can return it for a full refund.

At Camera Market, most of our items are imported from Europe, so orders can take up to <strong>14 calendar days</strong> to arrive at your address.

However, we offer expedited delivery of <strong>4 to 5 business days</strong> for selected products with immediate availability. All shipments include a <strong>tracking number</strong> so you can track your order in real time.

Comprar the MOT Amalia 100 35mm reacondicionado y certificado en Camera Market te ofrece <strong>múltiples ventajas</strong>:

  • <strong>Significant savings:</strong> Prices up to 40-60% lower than new, without compromising quality or performance
  • <strong>Guaranteed quality:</strong> Each product is inspected, tested and verified by specialized technicians
  • <strong>Warranty included:</strong> standard coverage, extendable with the optional extension
  • <strong>Sustainable purchase:</strong> You contribute to the circular economy and reduce the environmental impact of electronics
  • <strong>Accessible professional equipment:</strong> Get high-end models at more competitive prices

Our refurbished photography equipment maintains the same optical and technical performance as new. Depreciation does not affect image quality or performance, only the price.